You have a background in design and later transitioned to photography. How has this shift in disciplines impacted your work, and in what ways does your experience in design influence your current photographic practice?

All the knowledge you have achieved becomes part of your next practice. I try to incorporate all my interests into my photography: graphic design, painting, architecture, and urban landscape. These general interests have led me to my current photographic practice. I would say that my background in graphic design has greatly influenced how I frame my pictures. To me, it's very important how the pictures I take are projected into the outdoor world. I enjoy the process that comes after taking pictures and thinking about how I can use and display them.

You have created a very personal visual language through your method of classifying and composing images, which you mostly put in conversation with each other in series and grids. Do you establish the link between images while taking them, or is it something that happens afterwards?

It depends on the project. Mostly, it happens afterwards when I look through my pictures. I start seeing potential series and compositions. Sometimes, I find a picture and start a new project from there. Many of my projects start by accident, from the necessity of continuing something or by associating different pictures. I enjoy the process of taking pictures and then the process that comes after that, such as playing with them and manipulating the way I use a picture that I may have taken for a different purpose. But it can also happen the other way around. I can start by thinking about something I need, and then I'll go out and try to find what I'm looking for.

Your work is very personal; it reflects on the human experience and our relationship to objects and spaces. Your photography explores the interplay between public and private life. Additionally, you are developing a career in fashion photography and have worked on various campaigns. How would you say you navigate working in these two different disciplines, and how do they influence each other?

Fashion is something that I’ve always been interested in. I started working in the fashion industry, but as I said earlier, I stopped because I felt very disconnected from it and the way it works. I wasn’t very happy, so I had to stop. Then, in 2018, I decided to give myself a second chance. I decided to be more consistent in my personal work as a photographer before returning to fashion. I want my fashion photographs to be connected to my personal practice and not so much the other way around.